Second, this lens offers amazing image quality. I plan to buy 2 Sony A7iii bodies for vlogging, commercial videos, interviews, product photography and maybe some landscape photography. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. If it's ultra-wide landscape shots you're after, the 12-24mm f/4 G is one of the best landscape lenses for Sony that money can buy. The Canon 500mm f/4L II excels. Then check out the Canon 100-400mm IS II. 5. You can start by shooting some wider shots, then a few tighter portraits, then some intense close-ups–the opportunities are endless. The Nikon 500mm f/4E is every bird photographer’s dream. One unique thing about this lens is its close-focusing distance. In this case, it’s the maximum aperture–f/4 at 100mm, and f/5.6 at 400mm. You won’t have any problems dealing with energetic wildlife. Performance. I spent around $1300 for the lens so that's my budget for now. 184. But the weight may be prohibitive–especially for those with a more flexible, travel-oriented photography style. And finally, autofocus is ridiculously fast. The Nikon 200-400mm f/4 is a monster of a lens–in more ways than one. Not to mention the amazing image quality. The best zoom lenses for the Sony a7 III. I don't do much wildlife photography, so I plan to rent a lens and/or teleconverter, since I wouldn't use it often. Autofocus is fast and accurate. But that’s a minor drawback, compared to the overall value of this lens. …then there’s a lot to be excited about. Click/tap on each lens name to jump to that section. Editor’s Rating: 4.7/5. It’s sharp, from 200mm to 560mm. If you are new to photography and don’t know a lot about lenses, you might be confused about which ones are best for your camera. You should drive into Lamar Valley and the Roosevelt/Tower areas, loads of wildlife and newborns around! Image quality: The Canon 70-300mm is sharp at every point in its focal length range. This lens offers one of the fastest autofocus systems out there. This lens is sharp, even at the long end of its range. The build quality of this lens is excellent, remaining true to the high quality of Sigma’s Art series. Maybe 100-400 + 60-600 unless one could afford a fixed-aperture tele (when available...) could do it all. This lens is decently light. If you are looking for the best native 100-400mm telephoto zoom lens for shooting wildlife, sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. For some people, 300mm is just too short. This lens is one of Canon’s most popular telephotos, and for good reason. Sometimes the wildlife photographer…, Birds are usually fast creatures and they can switch directions quickly. This allows for some focal length flexibility. Take a look at the top E-Mount and FE-Mount lenses you can currently buy for your Sony mirrorless camera. Editor’s Rating: 4.7/5. Is 300mm long enough for my needs? For one, this lens has an incredible maximum aperture of f/2.8. Image quality is simply amazing. My vote is the Sony 100-400 GM + 1.4 TC. Based around an updated 24.2-megapixel back-illuminated full-frame sensor, the A7 III punches well above its weight with a rich feature including a 693 phase-detect autofocus system, 10 frames per second, internal 4k video, and … Versatile focal range with solid build, incredible image quality, and a fast constant aperture. And the quality of the bokeh is impressive. This lens comes in at 109 ounces (about 3 kg), which is not at all bad for a monster telephoto like this one. Heading to Yellowstone on Thursday, If I like shooting wildlife, I will eventually sell this set up and get the Sony 100-400GM. 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