Christoph Wolff argues that on July 26, 1733 at the Sophienkirche in Dresden, where Wilhelm Friedemann Bach had been organist since June, it "was definitely performed ... as evidenced by the extant Dresden performing parts and by the inscription on the title wrapper" given to the king the next day. [42] The work has played a central role in the 'historical performance movement' : Nikolaus Harnoncourt made the first recording with "period instruments" in 1968, his second Bach choral recording. Neue Ausgabe (C. F. Peters: Frankfurt/Main, 1997), 408 pp. Mass in B minor, BWV 232 (Bach, Johann Sebastian) Movements/Sections Mov'ts/Sec's: 4 parts Composition Year ... Staatsbibliothek zu Berlin (D-B): Mus.ms. In Bach's day, Masses composed for Lutheran services usually consisted only of a Kyrie and Gloria. The b minor mass is truly one of the cultural pillars of Western civilization. It is called that as well in the estate of his last heir in 1805, suggesting to Stauffer that "the epithet reflects an oral tradition within the Bach family". "[21] Butt[22] and George Stauffer[23] detail the ways in which Bach gave overall musical unity to the work. Michael Maul, "'The Great Catholic Mass': Bach, Count Questenberg and the Musicalische Congregation in Vienna," In Yo Tomita, Robin A. Leaver and Jan Smaczny. Reviewed in the United States on January 31, 2020. BWV 232 - B-minor Mass. The Mass in B minor (German: h-Moll-Messe), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. Bach scholar Christoph Wolff describes the work as representing "a summary of his writing for voice, not only in its variety of styles, compositional devices, and range of sonorities, but also in its high level of technical polish ... Bach's mighty setting preserved the musical and artistic creed of its creator for posterity. the proposed date fell during an official period of mourning "when concerted music was forbidden in Saxon churches"; the extant parts (on which Schering based his hypothesis) are written on a paper found only in documents in Dresden, so were probably copied in Dresden when Bach went there in July; the copyists were not Bach's usual ones, but Bach and immediate family members who traveled with him to Dresden: his wife, Timothy A. Smith (Northern Arizona University), ", This page was last edited on 7 December 2020, at 07:56. If you can find this at a bargain price on Amazon, then all the better. [41] As of 2013, a database lists over 200 recordings with many different types of forces and performance styles. Granted the forces are big and majestic and the historical context important, this rendition of Bach's mass in B minor is too slow and heavy even in sections that should scream triumph and jubilation. Each time I look to purchase it and … Johann Sebastian Bach, Messe in h-Moll BWV 232. There, it is called "Die Grosse Catholische Messe" (the "Great Catholic Mass"). Performed by Solomija Drozd (contralto), Petro Titiajev (violin), Ivan Ostapovych (organ). John Butt gives an absorbing account of the work's genesis, its … How this rediion by Karl Roichter compares to others i don't know. Bach composed his Mass in B minor around 1748–49, a year before his death in 1750. Other articles where Mass in B Minor is discussed: Johann Sebastian Bach: Instrumental works: …“Kyrie” and “Gloria” of the Mass in B Minor, written in 1733, were also dedicated to the elector, but the rest of the Mass was not put together until Bach’s last years. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Malcolm Boyd and John Butt, Oxford University Press, 1999, p. 285, Joshua Rifkin, "The B-Minor Mass and its Performance", liner notes to Rifkin's recording of the work, Nonesuch 79036-2, 1982, John Butt, "Mass in B Minor", in Oxford Composer Companions: J. S. Bach, ed. Ich bin begeistert. The Mass in B minor was not performed in its entirety in Bach’s lifetime. Missa"; that containing the Credo he titled "2. As recounted by George Stauffer,[38] the next documented performance (not public) in the nineteenth century was when Carl Friedrich Zelter—a key figure in the 19th-century Bach revival—led the Berlin Singakademie in read-throughs of the "Great Mass" in 1811, covering the Kyrie; in 1813 he led read-throughs of the entire work. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours,[2] and a scoring consisting of two groups of SATB singers and an orchestra featuring an extended winds section, strings and continuo. From the moment that a decision was made to record Bach’s Mass in b minor, it was clear tome that the scoring would have to be small-scale. C533 Bach Mass in B Minor Fischer-Dieskau Richter 3LP Archiv DGG 2710 001 Stereo. Bach's handwriting from the additions made by C.P.E. I just love it. Its earliest documented complete performance took place in 1859. Run time is four minutes, 41 seconds, For selected recordings on period instruments and modern instruments, see, IV. An English translation of the letter is given in Hans T. David and Arthur Mendel. All the more amazing, then, is that overall the Mass is as “dramatic in its effect as it is monumental, contributing to the impression of a work which seems to contain twice the amount of music that its duration would normally allow.”(8) This culmination of the 15-year effort of a man with deep religious and aesthetic convictions also … Regarding sources, Stauffer, summarizing current research as of 1997, states that "Specific models or fragments can be pinpointed for eleven of the work's twenty-seven movements" and that "two other movements [the "Domine Deus" and "Et resurrexit"] are most probably derived from specific, now lost sources. The 1857 edition was the standard for the next century, but was later recognized to be even less accurate than the 1856 version due to inadvertent incorporation of C.P.E. Please try again. There was an error retrieving your Wish Lists. But I have several recordings of this mass, and still find Dr. Richter to be what speaks to me. Another great job by Karl Richter. Monographs on the Mass in B Minor: Butt, John: Bach's Mass in B Minor (Cambridge University Press, 1991) – an excellent overview of the history and style of this work. To oversimplify matters, let’s begin by pointing out that performance styles have changed in the past century. bruggen's interpretation of bach's b minor mass powerful and gripping! 33CX 1121/2/3 ed1 3LP Schwarzkopf, Gedda, Karajan: Bach: Mass in B minor . Reviewed in the United States on December 29, 2010. But that may be subjective, so here are the five stars. pp. Bach Mass in B Minor BWV 232 - recommendation? [11] Other explanations are less event-specific, involving Bach's interest in 'encyclopedic' projects (like The Art of Fugue) that display a wide range of styles, and Bach's desire to preserve some of his best vocal music in a format with wider potential future use than the church cantatas they originated in (see "Movements and their sources" below).[9]. In Letzterer singt Dietrich Fischer-Dieskau in einer Weise, die in mir den Eindruck erweckt, als benutze er seine Stimme wie ein ein Cello, losgelöst vom Körper. One of the most frequently mentioned "favourite" works of Bach, the B Minor Mass is not really a functional liturgical work, but an assemblage of movements written over a period of many years. I do not believe there exists a better recording of the mass in b minor than this. There's a problem loading this menu right now. I recommend this recording as one of the 'great' recordings of this music and, even considering it was recorded in 1961, a much better 'sound' experience than many of its modern counterparts! The Mass in B Minor did not assume its final form until Bach's last years, perhaps by 1748. Further, Butt writes, "What is most remarkable about the overall shape of the Mass in B Minor is that Bach managed to shape a coherent sequence of movements from diverse material. Tempo and metrical information and parodied cantata sources come from Christoph Wolff's 1997 critical urtext edition, and from George Stauffer's Bach: The Mass in B Minor. [44], Scholars have suggested that the Mass in B minor belongs in the same category as The Art of Fugue, as a summation of Bach's deep lifelong involvement with musical tradition—in this case, with choral settings and theology. Bach's Mass in B Minor is one of those works that transports me into some other space, and this rendition does just that, The opening Kyrie is one of the most marvelous pieces i know.. The complete B Minor Mass was first heard in Leipzig, Germany, in 1859. "[62] But Stauffer adds "there is undoubtedly much more borrowing than this." Wolfgang Osthoff and other scholars have suggested that Bach intended the completed Mass in B minor for performance at the dedication of the new Hofkirche in Dresden, a Catholic cathedral dedicated to the Holy Trinity, which was begun in 1738 and was nearing completion by the late 1740s. Instead, Johann Adolph Hasse's Mass in D minor was performed, a work with many similarities to Bach's Mass (the Credo movements in both works feature chant over a walking bass line, for example). 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